tag:blogger.com,1999:blog-85537178354121723442024-03-05T08:08:49.190+01:00LOGANUnknownnoreply@blogger.comBlogger59125tag:blogger.com,1999:blog-8553717835412172344.post-41090842157470562852022-04-17T15:00:00.029+02:002022-06-06T18:10:19.579+02:00EXIT MUSIK // Hommage et playlist CHRIS BAILEY<div style="text-align: left;"><span style="background-color: white; color: #4d4d4d; orphans: 2; text-align: justify; widows: 2;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHoOiqIrqmsg9ivzPDftAUWs90jUvXNWh3ohamwTtYY8COS3VydwDPmFOsXwxV3voBoR_usXIeOOCUOKCLJSXdM_NQ1_pshVDqmHY985s8t6cgE2HIOeAmXPoT4klLarBnQzqEJiZQOknp60d9F49G3va86MPQX4BnQ8PkBEIpwvGsNPK_gZMmnUM/s1200/stranded.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHoOiqIrqmsg9ivzPDftAUWs90jUvXNWh3ohamwTtYY8COS3VydwDPmFOsXwxV3voBoR_usXIeOOCUOKCLJSXdM_NQ1_pshVDqmHY985s8t6cgE2HIOeAmXPoT4klLarBnQzqEJiZQOknp60d9F49G3va86MPQX4BnQ8PkBEIpwvGsNPK_gZMmnUM/w400-h400/stranded.jpeg" width="400" /></a></div><span style="font-family: inherit;"><br /></span></span></div><div style="text-align: left;"><span style="background-color: white; color: #4d4d4d; orphans: 2; text-align: justify; widows: 2;"><span style="font-family: inherit;">Avec sa silhouette de poupon chevelu doté d’une voix puissante, ses origines farfelues de citoyen du monde, au croisement du Kenya, de l’Irlande et de l’Australie et son nom à consonance éthylique, Chris Bailey cumulait toutes les qualifications requises pour devenir un monument du rock.</span></span></div><div style="text-align: left;"><span style="background-color: white; color: #4d4d4d; font-family: inherit; orphans: 2; text-align: justify; widows: 2;"><br /></span></div><div style="text-align: left;"><span style="background-color: white; color: #4d4d4d; font-family: inherit; orphans: 2; text-align: justify; widows: 2;">Hommage </span><span style="background-color: white; color: #4d4d4d; font-family: inherit; orphans: 2; text-align: justify; widows: 2;">et playlist à l'occasion de sa récente disparition à retrouver ici, pour Exit Musik : <a href="https://exitmusik.fr/playlist-hommage-a-chris-bailey-the-saints/"><b>https://exitmusik.fr/playlist-hommage-a-chris-bailey-the-saints/</b></a></span></div><div style="text-align: left;"><span style="background-color: white; color: #4d4d4d; font-family: inherit; orphans: 2; text-align: justify; widows: 2;"><br /></span></div><div style="text-align: left;"><span style="background-color: white; color: #4d4d4d; font-family: inherit; orphans: 2; text-align: justify; widows: 2;"><br /></span></div>
<iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/videoseries?list=PL4OFz3HfX3qhDCJb4d7VD1bXGaVGgiCfU" title="YouTube video player" width="560"></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-6511127692555552982021-07-06T16:23:00.005+02:002021-07-08T16:28:50.433+02:00LES ECRANS TERRIBLES // Interview ERIC DEMARSAN<p></p><p style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9Gegj-QVsgs8DjSZv5fTiygYDvvZnf7G5nQOgqcBpdTuhnLGHyjhxAjiytRPR0DuDcJmM_hnAlo5Ytj9oDjjCTGBdjj3rw485gRh2bNCOFKA6KlQiu8-ecxQz-BFQCjuTGO6u5hPBUKo/s1140/Eric-Demarsan--photo-une%25C2%25AEcarolinebottaro.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="760" data-original-width="1140" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9Gegj-QVsgs8DjSZv5fTiygYDvvZnf7G5nQOgqcBpdTuhnLGHyjhxAjiytRPR0DuDcJmM_hnAlo5Ytj9oDjjCTGBdjj3rw485gRh2bNCOFKA6KlQiu8-ecxQz-BFQCjuTGO6u5hPBUKo/w400-h266/Eric-Demarsan--photo-une%25C2%25AEcarolinebottaro.jpg" width="400" /></a><span style="font-size: small;"><i><br /><span style="font-size: x-small;">© Caroline Bottaro</span></i><br /></span></p><p><span style="font-size: small;">A l'occasion de la thématique "Musique et Cinéma"</span><span style="font-size: small;"><span style="font-size: small;"> des Ecrans Terribles, </span>nouvelle interview en ligne, de l'un de nos grands compositeurs français encore en fervente activité : <b>Eric Demarsan</b>. <br />Une
légende de la musique de films qui a travaillé pour Michel Magne et
François de Roubaix, oeuvré sur les films de Jean-Pierre Melville (<i>L'armée des ombres</i>, <i>Le cercle rouge</i>),
ceux de Mocky, Leconte, Costa-Gavras, Pourtalé, Leroy, etc. , et signé
des collaborations fructueuses et au long cours avec Guillaume Nicloux
et Hervé Hadmar.<br /><br />Propos recueillis avec mon binôme d'interview, Julien Beaunay.<br />Remerciements à Marie Sabbah Agency, Sybil et Eric Demarsan.<br /><br /><b>L'interview est à lire ici :</b> <span style="font-size: medium;"><b><a href="http://www.lesecransterribles.com/entretien-eric-demarsan/54039">http://www.lesecransterribles.com/entretien-eric-demarsan/54039</a></b></span><br /><br />Et voici une playlist musicale pour accompagner votre lecture :</span><br /></p><p><iframe frameborder="0" height="360" src="https://youtube.com/embed/mAXsFaFZk5g?list=PLG9XltudQQRPcga-E8BEQ0iwFwFxEqUgX" width="480"></iframe> <br /><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU6OmzM_zBHyAnxUbQJsolTSE6DkVlVZfwfnkPjuw_ntc5d8MDzPrFwZo7ToxZrMIv3hXWgc449Xy_C00o46HtKjiIAZrdRZyUznhl4o8TaDcD6gBSA_gL-SnNYGdvrYi72FVznGI_n6k/s1024/LeSamourai.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="557" data-original-width="1024" height="348" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU6OmzM_zBHyAnxUbQJsolTSE6DkVlVZfwfnkPjuw_ntc5d8MDzPrFwZo7ToxZrMIv3hXWgc449Xy_C00o46HtKjiIAZrdRZyUznhl4o8TaDcD6gBSA_gL-SnNYGdvrYi72FVznGI_n6k/w640-h348/LeSamourai.jpg" width="640" /></a></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-15704309086163049762021-06-18T19:16:00.000+02:002021-06-22T19:17:27.512+02:00LES ECRANS TERRIBLES // Critique de "The Amusement Park" <p></p><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBTJj7kdnc2VDHgto1TU3gvtdcBYf6qQJYgWC3J-r5E7WPjx-OzoCBCDFtz7OLmjOET8mobgG6qfNTWaQdvfSsb8Us7hrHwDWSb6h0xOjw4OmH9iEInfZ-6e3rLk3SCDRiSkxmViz4wCk/s1500/The+Amusement+Park_affiche.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1050" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBTJj7kdnc2VDHgto1TU3gvtdcBYf6qQJYgWC3J-r5E7WPjx-OzoCBCDFtz7OLmjOET8mobgG6qfNTWaQdvfSsb8Us7hrHwDWSb6h0xOjw4OmH9iEInfZ-6e3rLk3SCDRiSkxmViz4wCk/w448-h640/The+Amusement+Park_affiche.jpg" width="448" /></a> <br /></div><p></p><ul style="background-color: white; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px; margin: 0.5em 0px; padding: 0px 2.5em; text-align: left;"><li style="border: none; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 14.85px; line-height: 20.79px; margin: 0px 0px 0.25em; padding: 0px; text-align: justify;"><b><i>The Amusement Park</i></b>, le film perdu du maître américain George A. Romero est enfin sorti en salles pour la réouverture post-Covid ! <span style="font-size: 14.85px; line-height: 20.79px;">Retrouvez
ma critique de cet OFNI inespéré, qui redonne foi dans les capacités du cinéma de l'effroi</span><span style="font-size: 14.85px; line-height: 20.79px;"> à imaginer une métaphore politique et sociale pertinente :</span> <b><a href="http://www.lesecransterribles.com/critique-the-amusement-park/53917">http://www.lesecransterribles.com/critique-the-amusement-park/53917</a></b></li></ul><b> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNoy4KNil_ZFRCAaFv3xPv-IGC6_RrXByAU58_3dLhyphenhyphenNKfNxmVO5WoQLUYsr2lSRKxbDNUPru5ctS2ojERLxbmClG1OTM_Rft4Icz8yPAHrxWDLFQVG0TFr0mNyzFpXIewDYJzmtTg8lo/s472/TAP-003.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="472" height="305" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNoy4KNil_ZFRCAaFv3xPv-IGC6_RrXByAU58_3dLhyphenhyphenNKfNxmVO5WoQLUYsr2lSRKxbDNUPru5ctS2ojERLxbmClG1OTM_Rft4Icz8yPAHrxWDLFQVG0TFr0mNyzFpXIewDYJzmtTg8lo/w400-h305/TAP-003.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqXQgRBFVZ3Ha5mHgouO7eVE-3DBFs8z9I0liVAlfPxOoZs771yqPhRvUDM2rmsbSJCfXhQGevGj3xB1kaRzxXRa46r2TlnaepZP092xUOezNeCjhzUSh7nqdOv9VWb6l2uiVCybQBJwE/s800/TAP-002.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="800" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqXQgRBFVZ3Ha5mHgouO7eVE-3DBFs8z9I0liVAlfPxOoZs771yqPhRvUDM2rmsbSJCfXhQGevGj3xB1kaRzxXRa46r2TlnaepZP092xUOezNeCjhzUSh7nqdOv9VWb6l2uiVCybQBJwE/w400-h200/TAP-002.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVW0EhkGfDqazP9AASFa1eHfl69k3nWnq1HxA0HGWs2AqAZshKJYlTnCzpQg9c3zLmSs4ikfXO4mZNsUD_-NdQenu-Y6Rma-ClXcwhwYNAg6T0OXxWGpdYk8NhuehBjursjg6t4SeBJx0/s1280/TAP-001.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVW0EhkGfDqazP9AASFa1eHfl69k3nWnq1HxA0HGWs2AqAZshKJYlTnCzpQg9c3zLmSs4ikfXO4mZNsUD_-NdQenu-Y6Rma-ClXcwhwYNAg6T0OXxWGpdYk8NhuehBjursjg6t4SeBJx0/w400-h225/TAP-001.jpg" width="400" /></a></div> </b>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-28697293699515587332021-02-22T17:19:00.006+01:002021-02-22T17:21:28.486+01:00EXITMUSIK // Chronique CHRIS BROKAW - PURITAN<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOAPvLKsJeDpfI8WTRWIfB2j03O9z3BdD_Xd_c_Y93mKs_180m8LJ8HTogC4McEMoa431Idk-y8UlvoDZBelCo80mATPgmMyO8a3O2KYkXNLRGfXDm6VY-q-HSuv-9xDgT86imAgfZG4c/s1448/Capture+d%25E2%2580%2599e%25CC%2581cran+2021-02-22+a%25CC%2580+17.16.13.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1448" data-original-width="1440" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOAPvLKsJeDpfI8WTRWIfB2j03O9z3BdD_Xd_c_Y93mKs_180m8LJ8HTogC4McEMoa431Idk-y8UlvoDZBelCo80mATPgmMyO8a3O2KYkXNLRGfXDm6VY-q-HSuv-9xDgT86imAgfZG4c/s320/Capture+d%25E2%2580%2599e%25CC%2581cran+2021-02-22+a%25CC%2580+17.16.13.png" /></a></div><p>Parmi toutes les sorties <i>ambient</i>, expérimentales, bandes originales et multiples collaborations, <b>Chris Brokaw</b> (<i>Codeine, Come, The New Year</i>) a trouvé le temps de rempiler pour un album de chansons ou tout comme (<i>Come ? Vous voyez le jeu de mots ? Ok, je sors de mon propre blog...</i>), avec la présence de Thalia Zedek en embuscade.<br /><br />Chronique de ce disque des plus vivants, pour <b>Exit Musik</b>, à lire ici : <br /><b><a href="https://exitmusik.fr/chris-brokaw-puritan/">https://exitmusik.fr/chris-brokaw-puritan/</a><br /></b></p><div class="separator" style="clear: both; text-align: left;"><div style="text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="399" src="https://www.youtube.com/embed/q_WemwOj67g" width="479" youtube-src-id="q_WemwOj67g"></iframe></div></div><br />Un <i>house show</i> du monsieur, avec les moyens du bord et le son qui va avec, par là : <b><a href="https://www.facebook.com/chris.brokaw.5/videos/3912271315534525/">https://www.facebook.com/chris.brokaw.5/videos/3912271315534525/</a></b><br /><br />Et son bandcamp pour écouter/se procurer la perle : <b><a href="https://chrisbrokaw12xu.bandcamp.com/album/puritan">https://chrisbrokaw12xu.bandcamp.com/album/puritan</a></b><br /><p></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-91064555154203357332021-01-15T14:48:00.074+01:002022-06-06T18:08:32.616+02:00EXITMUSIK // Hommage et playlist MF DOOM<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG894X8qLTnrds4ssJGwMkWILsxsL1sR2AUKVRAhZJH4Ulg5GMlVTrAUMLOBw4ndwvDmaBi4mT_i8LxavxqXOcDBfa9y2-yftcCJcJxDT-S-udNtaV4OkLh8rDYQ844OiippNc-aLbqsc/s2071/Bannie%25CC%2580re+MF+Doom.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="2071" height="246" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG894X8qLTnrds4ssJGwMkWILsxsL1sR2AUKVRAhZJH4Ulg5GMlVTrAUMLOBw4ndwvDmaBi4mT_i8LxavxqXOcDBfa9y2-yftcCJcJxDT-S-udNtaV4OkLh8rDYQ844OiippNc-aLbqsc/w634-h246/Bannie%25CC%2580re+MF+Doom.jpg" width="634" /></a></div><p></p><p>Il était l'un des plus importants noms du hip-hop américain de ses vingt dernières années, l'homme aux mille pseudos et projets, Daniel Dumile aka <b>MF Doom</b> vient de nous quitter pour d'autres cieux, d'autres rêves. Retour en mots et playlist hommage sur l'un des plus fascinants artistes des années 2000 pour le webzine <a href="https://logan-juliensaves.blogspot.com/p/exitmusik.html">Exit Musik</a> : <b><a href="https://exitmusik.fr/playlist-hommage-a-mf-doom/">https://exitmusik.fr/playlist-hommage-a-mf-doom/</a></b><br /><br />Lien playlist sur Youtube :<br /></p><p></p><p><iframe frameborder="0" height="360" src="https://youtube.com/embed/jdZot5pCF48?list=PL4OFz3HfX3qhZN_PadIx2hYQDmTGTZ9uT" width="480"></iframe> </p><p>Ou sur Spotify : <a href="https://open.spotify.com/playlist/0XRv6SbeHD6HbwsnjXUrQC?si=4d07c0b90063458a">https://open.spotify.com/playlist/0XRv6SbeHD6HbwsnjXUrQC?si=4d07c0b90063458a</a><br /> <br /></p><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKafBINgGbFp64pRFX7Kltin85p8Wt8S5kjwyfrn6p9d_IUmm8nSLs0-dC5Xpz1wgzO5rkpGZKdKwzysUx7pblPOOYsIkMD-VZdQZdAHs0l1apX-E-Yzaq_QHRitzJc92sVCaonXQR5WQ/s1024/mfdoomvillettesonique2012.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="1024" height="374" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKafBINgGbFp64pRFX7Kltin85p8Wt8S5kjwyfrn6p9d_IUmm8nSLs0-dC5Xpz1wgzO5rkpGZKdKwzysUx7pblPOOYsIkMD-VZdQZdAHs0l1apX-E-Yzaq_QHRitzJc92sVCaonXQR5WQ/w500-h374/mfdoomvillettesonique2012.jpg" width="500" /></a> </div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><i><span>Le concert mémorable pour <b>La Villette Sonique</b> en 2012, avec au cours de la même soirée </span></i></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><i><span>Shabazz Palaces, MF DOOM et Flying Lotus.</span></i></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><i><span> </span></i></span></div><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: small;"><span><a href="https://www.photosconcerts.com/mf-doom-paris-espace-charlie-parker--grande-halle-2012-05-25-villette-sonique-6000">photos de Robert Gil</a></span></span></b></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><b><span><a href="http://boutrosbootleg.blogspot.com/2014/09/mf-doom-vs-villette-sonique-2012.html"><span style="font-size: small;"><span>bootleg</span></span></a></span></b><i><span> </span></i></span></div><p></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-48840078344332444052020-06-24T18:53:00.001+02:002020-06-24T18:54:05.683+02:00LES ECRANS TERRIBLES // Interview HARRY KÜMEL<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: x-small;"><i> © Julien Beaunay</i></span></div>
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Nouvelle interview, en binôme avec Julien Beaunay, pour Les Ecrans Terribles, avec le réalisateur belge culte <b>Harry Kümel</b><i> (Malpertuis)</i>, rencontré au Centre Wallonie-Bruxelles juste avant le confinement. A l'occasion de la re-re-sortie de son film <i>Les Lèvres Rouges</i> sur les écrans français, interview à lire ici : <b><a href="http://www.lesecransterribles.com/harry-kumel-les-levres-rouges/51992">http://www.lesecransterribles.com/harry-kumel-les-levres-rouges/51992</a></b><br />
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<span style="font-size: x-small;"><i>© Malavida </i></span></div>
<b><br /></b>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-61626862020672003922020-06-22T17:02:00.001+02:002020-06-22T17:04:26.977+02:00EXITMUSIK // Interview BUTCH McKOY<div style="text-align: center;">
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© BMK</div>
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<b>Butch McKoy</b> (I Love UFO, White Heat, UFO Drones, etc.) continue d'enthousiasmer son audience, avec un rock folk habité, teinté de romantisme noir et sous l'influence poétique de William Blake. Son nouvel album s'intitule <i>The Sick Rose</i>, bénéficie de l'apport de Lionel Naudon (Lab°) et est disponible sur toute bonne plateforme<i>. </i>Pour l'occasion, une interview du monsieur est sortie sur <b>Exit Musik</b>, dont les propos avaient été recueillis avec l'aide de Ludovic Ducroo.<br />
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A lire sur <b>Exit Musik</b> ici : <a href="http://exitmusik.fr/interview-butch-mckoy/"><b>http://exitmusik.fr/interview-butch-mckoy/</b></a><br />
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<u>Quelques souvenirs en concert d'I Love UFO filmés par Broken :</u> </div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-7770880579580297112020-04-10T19:08:00.002+02:002022-06-06T18:11:40.951+02:00EXITMUSIK // Hommage et playlist JOHN PRINE<div style="text-align: center;">
<span style="background-color: white; color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 14.85px; text-align: justify;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhb4FMb2UdGuOb9u3OUDSCsdqBVaP-qr4cUkUOTF-tBVoQ960QQnOWlidO0PxULMXcRu6kTUs7ia2l-2nQwlizDZ1RR38e8GQnHzYlYCH5EG8qr5Co0eHt2Pb6sM9ryagMJBMk2pu7TGQ/s1600/801x410_john-prine-2.jpg" imageanchor="1"><img border="0" height="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhb4FMb2UdGuOb9u3OUDSCsdqBVaP-qr4cUkUOTF-tBVoQ960QQnOWlidO0PxULMXcRu6kTUs7ia2l-2nQwlizDZ1RR38e8GQnHzYlYCH5EG8qr5Co0eHt2Pb6sM9ryagMJBMk2pu7TGQ/s640/801x410_john-prine-2.jpg" width="640" /></a></span></div>
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<span style="background-color: white; color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 14.85px; text-align: justify;"><b>John Prine</b> luttait depuis des années, voire décennies contre des problèmes de santé, malgré cela il continuait à composer et se produire en live, il avait donné un concert magique au Café de la Danse tout récemment, le 13 février dernier. Ce <i>foutu virus</i> aura eu raison de cet immense singer/songwriter américain. Je souhaitais lui rendre hommage et célébrer sa mémoire par le biais d'une playlist de classiques, versions live et nouveaux morceaux, </span><span style="background-color: white; color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 14.85px; text-align: justify;">à écouter </span><span style="background-color: white; color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 14.85px; text-align: justify;">sur</span><span style="background-color: white; color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 14.85px; text-align: justify;"> </span><b style="background-color: white; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; text-align: justify;">Exit Musik</b><span style="background-color: white; color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 14.85px; text-align: justify;"> </span><span style="background-color: white; color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 14.85px; text-align: justify;">:</span><br />
<b><a href="http://exitmusik.fr/playlist-hommage-a-john-prine/">http://exitmusik.fr/playlist-hommage-a-john-prine/</a></b><br />
<span style="background-color: white; color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 14.85px; text-align: justify;"><br /></span>
<span style="background-color: white; text-align: justify;"><span style="color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 14.85px;">Laissons le dernier mot à Théo Hakola qui avait signé une reprise du fameux hit </span></span><i style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px;">Sam Stone,</i><span style="color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 14.85px;"> il y a quelques années, sur l'album <i>I Fry Mine In Butter!</i> : </span></span><br /><span style="color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 14.85px;"><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/zVaWRGGsHfc" width="560"></iframe></span><br /><br /><span style="font-size: 14.85px;">Et à Bill Sienkiewicz qui a dessiné l'un des plus beaux hommages au monsieur dernièrement :</span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjC5yI8TUVdWSuG1HWIonsf7iHvZRO3iJQLFBJ99tV-zI3QbfLbTqWhtH_AqzKNuDWjvpbqYmDRwbR5qcH9dAgQ9_ycyzr2ELopsjfh_XBtW-xVbuO50VTATVyOxcqmL63aBnnvysCYHqY/s1600/92799987_2799360533434018_6685811148270338048_o.jpg" imageanchor="1" style="font-size: 14.85px;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjC5yI8TUVdWSuG1HWIonsf7iHvZRO3iJQLFBJ99tV-zI3QbfLbTqWhtH_AqzKNuDWjvpbqYmDRwbR5qcH9dAgQ9_ycyzr2ELopsjfh_XBtW-xVbuO50VTATVyOxcqmL63aBnnvysCYHqY/s640/92799987_2799360533434018_6685811148270338048_o.jpg" width="414" /></a></span></span><br />
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<i style="color: #333333; font-family: arial, tahoma, helvetica, freesans, sans-serif;"><span style="font-size: xx-small;">©2020. Bill Sienkiewicz</span></i></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-874124345755114612020-04-01T17:39:00.004+02:002020-04-01T17:45:00.563+02:00FORMAT COURT // Interview OLIVIER SMOLDERS<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_hR0eooHbPMTrRy_Ms-X7R2NOjZMxjXCK5d2JV3oXullfbFMtRvBBb2UaVXv-SeuKs659yhwCCfWZzkPYu829LLXd6u3gy95A8Hwjz1wFnJy-7__L9o27W8dR0El9IxvXNgjCBMrhRs0/s1600/olivier-smolders.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="720" height="221" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_hR0eooHbPMTrRy_Ms-X7R2NOjZMxjXCK5d2JV3oXullfbFMtRvBBb2UaVXv-SeuKs659yhwCCfWZzkPYu829LLXd6u3gy95A8Hwjz1wFnJy-7__L9o27W8dR0El9IxvXNgjCBMrhRs0/s400/olivier-smolders.jpg" width="400" /></a></div>
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<i style="background-color: white; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px;"><span style="font-size: xx-small;">©2020. Julien Beaunay @CWB</span></i></div>
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<span style="background-color: white; color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 14.85px; text-align: justify;"><b>Olivier Smolders </b>était de passage à Paris en début d'année pour une rétrospective/exposition au Centre Wallonie Bruxelles et la remise d'un prix au Festival de Clermont. A cette occasion, nous avons pu </span><span style="background-color: white; color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 14.85px; text-align: justify;">approfondir une </span><a href="http://www.formatcourt.com/2014/02/olivier-smolders-limage-fascine-et-a-ce-titre-il-conviendrait-de-se-mefier-delle-dans-fasciner-il-y-a-presque-fascisme-cette-etymologie-fantaisist/"><b>première interview</b></a> <span style="background-color: white; color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 14.85px; text-align: justify;">parue il y a déjà quelques années </span><span style="background-color: white; color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 14.85px; text-align: justify;">et lui poser de nouvelles questions</span><span style="background-color: white; color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 14.85px; text-align: justify;">*</span><span style="background-color: white; color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 14.85px; text-align: justify;"> </span><span style="background-color: white; color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 14.85px; text-align: justify;">dans le cadre de <b>Format Court</b> </span><span style="background-color: white; color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 14.85px; text-align: justify;">:</span><br />
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<b><a href="http://www.formatcourt.com/2020/03/olivier-smolders-rapprocher-des-elements-contraires-cest-une-figure-de-style-poetique-a-lepreuve-des-balles-cela-traverse-lhistoire-des-arts/">http://www.formatcourt.com/2020/03/olivier-smolders-rapprocher-des-elements-contraires-cest-une-figure-de-style-poetique-a-lepreuve-des-balles-cela-traverse-lhistoire-des-arts/</a></b><br />
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<i>*avec Julien Beaunay, mon binôme d'interviews.</i><br />
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<i><span style="font-size: x-small;">La Part de l'Ombre</span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn0sQ_O4RQC8jp-bYwGWv9-Z7qCJ2KAW-r3J6Eq2GainrxnrSDnorDPbAtaOnFq0lmZTgOhmA_uNWgAZrdsQSGTzqHHERMKLS9PJsR05i5tzqGKN1i6E3pqQwlRyB-yfIgDm0pH7Fjd3M/s1600/Axolotl.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="720" height="221" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn0sQ_O4RQC8jp-bYwGWv9-Z7qCJ2KAW-r3J6Eq2GainrxnrSDnorDPbAtaOnFq0lmZTgOhmA_uNWgAZrdsQSGTzqHHERMKLS9PJsR05i5tzqGKN1i6E3pqQwlRyB-yfIgDm0pH7Fjd3M/s400/Axolotl.png" width="400" /></a></div>
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<i><span style="font-size: x-small;">Axolotl</span></i></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-52606435560885118992020-02-25T12:27:00.001+01:002022-06-06T18:11:59.010+02:00EXITMUSIK // Hommage et playlist ANDREW WEATHERALL<div class="separator" style="clear: both; text-align: center;">
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A l'occasion de la disparition d'<b>Andrew Weatherall</b>, par le biais d'une playlist pour <b>Exit Musik</b>, qui traverse ses multiples entités et "peaux" musicales, j'ai voulu voulu rendre hommage à celui qui représentait le plus une musique anglaise ouverte à toutes les envies, porosités et mutations ; une philosophie de vie qui inspirera longtemps encore les amoureux.ses de musique sans oeillères :<br />
<a href="http://exitmusik.fr/playlist-hommage-a-andrew-weatherall/"><b>http://exitmusik.fr/playlist-hommage-a-andrew-weatherall/</b></a><br />
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Il y a quelques années (en 2014), Andrew avait été programmé à la Villette Sonique (au Cabaret Sauvage), pour une nuit estampillée <a href="https://www.redbull.com/fr-fr/rbma-night-villette-sonique-cabaret-sauvage"><b>RBMA Night</b></a>, en tandem avec <b>Daniel Avery</b>, durant un set de folie de plusieurs heures pendant lesquelles les deux artistes se succédaient aux platines.<br />
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<iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/videoseries?list=PLTwBzh1VktzlAlOh5udch8qHh5QNyZt-Z" width="560"></iframe> </div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-76252089049247120612019-07-03T18:25:00.003+02:002019-07-03T18:26:12.871+02:00LES ECRANS TERRIBLES // Interview TALAL SELHAMI<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh87bD_Is-GNfCeuUXvFDE3F_Et-O-VBaUCU88HuNCguxma3D2MUXwxTOvphrDIY7oAjujxS4AJ8Na-bFvzW1EV7YRIUrTV8ippZD6heAewwzzb4hmDOVFYeK-VIo2xzzqMFvmRm-DOLmA/s1600/Talal-Selhami--photo-une.jpg" imageanchor="1"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh87bD_Is-GNfCeuUXvFDE3F_Et-O-VBaUCU88HuNCguxma3D2MUXwxTOvphrDIY7oAjujxS4AJ8Na-bFvzW1EV7YRIUrTV8ippZD6heAewwzzb4hmDOVFYeK-VIo2xzzqMFvmRm-DOLmA/s400/Talal-Selhami--photo-une.jpg" width="400" /></a></div>
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<i><span style="font-size: x-small;">©2018. Fred Ambroisine @PIFFF</span></i></div>
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Nouvelle interview pour Les Ecrans Terribles, en solo cette fois-ci, avec <b>Talal Selhami</b>, à l'occasion de son deuxième long-métrage, <i>Achoura, la nuit des enfants</i>. Discussion autour des difficultés de monter/faire un film de genre en France, d'autant plus quand la volonté est de s'inscrire dans une tradition plus classique.<br />
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A lire ici sur Les Ecrans Terribles :<br />
<b><a href="http://www.lesecransterribles.com/achoura-interview-talal-selhami/50159">http://www.lesecransterribles.com/achoura-interview-talal-selhami/50159</a></b></div>
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<b><i>trailer officiel du film</i></b></div>
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<b><i>journal de bord</i></b></div>
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-21833403597042207102019-06-20T14:30:00.000+02:002020-06-22T16:47:35.607+02:00EXITMUSIK // Interview TROY VON BALTHAZAR<div class="separator" style="clear: both; text-align: left;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWgRa006xTdzmhsHZiAh2mtp0VD3rPUnPNyb9Jm1fg5vZyo9StvhYFJDwEMTCyF338p72AzFOUI0qUA5mCSmop1mkDrwRxpNR_pwVzXi5BC6UkpcLA1-WvnhzPh2N_wENo4prflILewyM/s1600/TVB1_2019_flavie_Durou_72DPI.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="639" data-original-width="960" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWgRa006xTdzmhsHZiAh2mtp0VD3rPUnPNyb9Jm1fg5vZyo9StvhYFJDwEMTCyF338p72AzFOUI0qUA5mCSmop1mkDrwRxpNR_pwVzXi5BC6UkpcLA1-WvnhzPh2N_wENo4prflILewyM/s640/TVB1_2019_flavie_Durou_72DPI.jpg" width="640" /></a></div>
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© Flavie Durou</div>
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Troy Von Balthazar, le charismatique frontman de <b>Chokebore</b>, le secret le mieux gardé du rock américain, était de passage à La Maroquinerie, à Paris, pour un concert en solo, sous son nom de scène TvB. L'occasion de poser quelques questions à l'un des héros de nos nineties chéries, qui vient tout juste de sortir son nouvel album : <i>It Ends Like Crazy.</i><br />
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A lire sur <b>ExitMusik</b> ici : <b><a href="http://exitmusik.fr/interview-troy-von-balthazar-2/">http://exitmusik.fr/interview-troy-von-balthazar-2/</a></b></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-50382927442309200032019-06-17T15:49:00.001+02:002019-06-17T15:59:04.729+02:00LES ECRANS TERRIBLES // Interview SHINJI AOYAMA<div style="text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg5955Y932HuGI110sKQHPbR5apWRWNn7f1ozluWd0gdZLhw-nqgk9SnGDoAN_kx2wzDu_HQg9T4bqB_vqKDURKgBJmqBMGFhyphenhyphenSyCJIXrg_9MsHomJac6ENcvu4eBMFeVGpamzhs0SMv4/s1600/Shinji-Aoyama--photo-une.jpg" imageanchor="1"><img border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg5955Y932HuGI110sKQHPbR5apWRWNn7f1ozluWd0gdZLhw-nqgk9SnGDoAN_kx2wzDu_HQg9T4bqB_vqKDURKgBJmqBMGFhyphenhyphenSyCJIXrg_9MsHomJac6ENcvu4eBMFeVGpamzhs0SMv4/s400/Shinji-Aoyama--photo-une.jpg" width="400" /></a></div>
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<i style="background-color: white; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px;"><span style="font-size: xx-small;">© 2019. Julien Beaunay</span></i></div>
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Avec Julien Beaunay, mon binôme d'interviews, nous avons décidé de nous pencher activement sur le cinéma asiatique pour Les Ecrans Terribles, on commence tout doucement avec le réalisateur japonais des films cultes <i>Eureka</i> et <i>Desert Moon</i>, monsieur <b>Shinji Aoyama</b>, rencontré lors de la célébration des 100 ans du cinéma japonais, à la Maison de la Culture du Japon.</div>
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A lire ici sur Les Ecrans Terribles : </div>
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<b><a href="http://www.lesecransterribles.com/shinji-aoyama-interview/50004">http://www.lesecransterribles.com/shinji-aoyama-interview/50004</a></b></div>
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<i><b>tribute au film Eureka</b></i></div>
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<i style="background-color: white; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; text-align: center;"><span style="font-size: xx-small;">© 2019. Julien Beaunay</span></i></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-3787149797882158632019-01-28T17:47:00.002+01:002019-07-03T18:27:27.305+02:00EXITMUSIK // Interview MICK HARVEY<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxhEJsi2w7reVCUlIztrYU_ZmYLoqOT1WW2YTYNdHLhg4m6PLb0jFMWemPLDcYbLOFy8IQO5pTG_znxqlYgkvOC6DOIU-yM3E5omrpTaMsrQchz-WYz7sGJ6DrhtKE6wNRwmYzjUUAXTE/s1600/Mick-Harvey-Lyndelle-Jayne-Spruyt-2-1.jpg" imageanchor="1"><img border="0" height="432" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxhEJsi2w7reVCUlIztrYU_ZmYLoqOT1WW2YTYNdHLhg4m6PLb0jFMWemPLDcYbLOFy8IQO5pTG_znxqlYgkvOC6DOIU-yM3E5omrpTaMsrQchz-WYz7sGJ6DrhtKE6wNRwmYzjUUAXTE/s640/Mick-Harvey-Lyndelle-Jayne-Spruyt-2-1.jpg" width="640" /></a><br />
<span style="font-size: x-small;">© Lyndelle Jayne Spruyt</span><br />
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<span style="text-align: justify;">L'un des grands noms du rock australien, M</span><b style="text-align: justify;">ick Harvey</b><span style="text-align: justify;"> (The Boys Next Door, The Birthday Party, Nick Cave & The Bad Seeds, Crime and the City Solution, PJ Harvey, etc.) était de passage à Paris, dans un Petit Bain bondé, pour célébrer de nouveau l'oeuvre de "l'Homme à la Tête de Chou". A cette occasion, j'ai pu lui poser quelques questions pour ExitMusik, sur ses récents projets et envies : </span><b style="text-align: justify;"><a href="http://exitmusik.fr/interview-mick-harvey/">http://exitmusik.fr/interview-mick-harvey/</a></b><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-31708364939582176792018-11-23T13:02:00.000+01:002018-11-23T13:03:49.428+01:00EXITMUSIK // Chronique de "Thalia Zedek Band - Fighting Season"<div class="separator" style="background-color: white; clear: both; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-ig2o_hmI8mpHcHDr0HV23lL39PyPIdBVkRqClo5wU2s0IDk2hkKQ1WmjYD98_HqV4qvy58aXFvKUHUvgMRmpVYcMuvqfyp4_d6yogKHYBPI5IFXMcEWvBVwrAD2RMYgbetqZ9-2peSo/s1600/Thalia+Zedek+Band+-+Fighting+Season+cover.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="640" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-ig2o_hmI8mpHcHDr0HV23lL39PyPIdBVkRqClo5wU2s0IDk2hkKQ1WmjYD98_HqV4qvy58aXFvKUHUvgMRmpVYcMuvqfyp4_d6yogKHYBPI5IFXMcEWvBVwrAD2RMYgbetqZ9-2peSo/s400/Thalia+Zedek+Band+-+Fighting+Season+cover.jpeg" width="400" /></a></div>
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Pour ma nouvelle contribution au webzine musical <a href="http://exitmusik.fr/"><b>ExitMusik</b></a>, je me suis de nouveau intéressé à <b>Thalia Zedek</b> et ses multiples projets (j'avais précédemment écrit sur son groupe A Band Called E <b><a href="http://exitmusik.fr/e-negative-work/">ici</a></b>, ainsi qu'un live report <a href="http://exitmusik.fr/damon-naomi-thalia-zedek-rach-three/"><b>là</b></a>). </div>
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Il s'agit cette fois d'une chronique de son nouvel effort qui vient de sortir, "Fighting Season" : <a href="http://exitmusik.fr/thalia-zedek-fighting-season/"><b>http://exitmusik.fr/thalia-zedek-fighting-season/</b></a><br />
Elle sera en tournée avec le <b>Thalia Zedek Band</b> en europe en janvier, dont une date à Paris !<br />
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Pour écouter l'album : </div>
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<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=1754250859/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/transparent=true/" style="border: 0; height: 120px; width: 100%;"><a href="http://thaliazedek.bandcamp.com/album/fighting-season">Fighting Season by Thalia Zedek Band</a></iframe></div>
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<iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="https://player.vimeo.com/video/294612509" webkitallowfullscreen="" width="640"></iframe></div>
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<a href="https://vimeo.com/294612509">Thalia Zedek Band "Bend Again" Music Video</a> from <a href="https://vimeo.com/thrilljockey">Thrill Jockey Records</a> on <a href="https://vimeo.com/">Vimeo</a>.</div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-90596525078599165612018-09-24T15:25:00.002+02:002019-01-08T16:25:29.540+01:00LES ECRANS TERRIBLES // L'Etrange Festival 2018 : rencontre avec Bruno Dumont<em style="background-color: white; box-sizing: inherit; color: #464646; font-family: 'Work Sans'; font-size: 15px; line-height: 31px; outline: 0px !important; text-align: justify;"><span style="box-sizing: inherit; outline: 0px !important;">
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<i><span style="font-size: x-small;">© 2018. Fred Ambroisine </span></i></div>
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Pour notre premier papier post <b>Etrange Festiva</b>l sur Les Ecrans Terribles, l'entité des Julien(s), puisque c'est comme cela que l'on nous appelle dans les couloirs obscurs du Forum des Images, a eu l'honneur de rencontrer Bruno Dumont pour une discussion très précise autour de ses derniers travaux (<i>Coin-Coin et les Z'Inhumains</i>, <i>Jeannette</i>, <i>Ma Loute</i>, <i>P'tit Quinquin</i>), et notamment de la dimension tragi-comique de ceux-ci.<br />
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Rencontre avec l'un des réalisateurs français les plus frondeurs et intéressants :<br />
<a href="http://www.lesecransterribles.com/rencontre-bruno-dumont-ne-perd-nord"><b>http://www.lesecransterribles.com/rencontre-bruno-dumont-ne-perd-nord</b></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIfnLIlYzPK96jxzGgevcRxvaJ_Pf4SWACaV087ZgN5rrWA8kwGAHhj0KckD4UYqbygf3IOyY-GrBj3HzEbZbwI7vfQKFzfPZnsupqemxWfEwuP2WSFD9R48suAGxAmIaS46bEcmXUi7E/s1600/ptit-quinquin-1024x683.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="683" data-original-width="1024" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIfnLIlYzPK96jxzGgevcRxvaJ_Pf4SWACaV087ZgN5rrWA8kwGAHhj0KckD4UYqbygf3IOyY-GrBj3HzEbZbwI7vfQKFzfPZnsupqemxWfEwuP2WSFD9R48suAGxAmIaS46bEcmXUi7E/s400/ptit-quinquin-1024x683.jpg" width="400" /></a></div>
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<i><span style="font-size: x-small;">© Roger Arpajou</span></i></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-75582111316926064922018-09-17T17:42:00.001+02:002018-09-17T17:42:10.180+02:00EXITMUSIK // Playlist LOW<div style="text-align: justify;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3bbtkI_JAdymn9TBPhnrkavqT_D1CBRbRxwN02GiaNQJ5UWcpbRfGKFyHiFcEd9reRJgimcrTWrEeYa2RMjhaCQjYCbMIL7K9JX3RvJ_4mcMj0UQ2RVifsiKxi69TvnJmIqT0fSRzHNQ/s1600/Low+Press+Photo+2018+0_cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="817" data-original-width="1600" height="324" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3bbtkI_JAdymn9TBPhnrkavqT_D1CBRbRxwN02GiaNQJ5UWcpbRfGKFyHiFcEd9reRJgimcrTWrEeYa2RMjhaCQjYCbMIL7K9JX3RvJ_4mcMj0UQ2RVifsiKxi69TvnJmIqT0fSRzHNQ/s640/Low+Press+Photo+2018+0_cover.jpg" width="640" /></a></div>
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Pour ma deuxième contribution au webzine musical <b>ExitMusik</b>, j'ai pu m'amuser a créer une <i>playlist </i>qui explore toutes les facettes d'un groupe qui m'accompagne depuis bien des années : <b>LOW</b>.</div>
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A l'occasion de la sortie de leur nouvel album, <a href="http://exitmusik.fr/low-double-negative/">plutôt difficile d'accès</a>, et de leur prochaine tournée (dont une date à la Gaîté Lyrique), 20 morceaux qui couvrent plus de deux décennies d'activité, de la balade cristalline à l'ouragan sonore, en passant par une reprise curieuse d'un morceau des Bee Gees, <i>enjoy</i>... : <a href="http://exitmusik.fr/playlist-low-20-morceaux/"><b>http://exitmusik.fr/playlist-low-20-morceaux/</b></a></div>
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<iframe allowtransparency="true" frameborder="0" height="380" src="https://embed.spotify.com/?uri=spotify:user:exitmusik:playlist:1nZiQepf1FsVoFR8mwFycn" width="300"></iframe><br />
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<iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/CSzBYJ2LYrM" width="560"></iframe>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-3966801311225927762018-06-20T17:14:00.001+02:002018-06-20T17:16:14.557+02:00EXITMUSIK // Chronique de "E - Negative Work"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTyW9xRX6tMbqhqKSNManv0prKyYrnSlnQ0xObTtQmiJJ8v4vx1gWayNhZbG-o4fkbuTSn-LmiFcToVtkdE5QrjxRiTYnVyQu6KgS4Stg1tEzwKzJXLSTSJbKmOSDUH-vYqhoQfEgqEtw/s1600/E+-+Negative+Work+cover.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="400" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTyW9xRX6tMbqhqKSNManv0prKyYrnSlnQ0xObTtQmiJJ8v4vx1gWayNhZbG-o4fkbuTSn-LmiFcToVtkdE5QrjxRiTYnVyQu6KgS4Stg1tEzwKzJXLSTSJbKmOSDUH-vYqhoQfEgqEtw/s320/E+-+Negative+Work+cover.jpg" width="320" /></a></div>
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Depuis mars dernier, je contribue occasionnellement au webzine musical <b><a href="http://exitmusik.fr/">ExitMusik</a></b> (<i>écrire sur la musique, un vieux rêve qui se réalise</i>).</div>
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Dernier papier en date, une chronique du second album du super-groupe noise <b>E</b> ou <b>A Band Called E</b>, dans lequel officient Gavin McCarthy, Jason Sanford et Thalia Zedek.<br />
<b>A lire ici :</b> <a href="http://exitmusik.fr/e-negative-work/"><b>http://exitmusik.fr/e-negative-work/</b></a><br />
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<i><b>Press review sur le site du groupe, avec un extrait de ma chronique :</b></i></div>
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<iframe seamless="" src="https://bandcamp.com/EmbeddedPlayer/album=3474159867/size=small/bgcol=ffffff/linkcol=0687f5/transparent=true/" style="border: 0; height: 42px; width: 100%;"><a href="http://abandcallede.bandcamp.com/album/negative-work">Negative Work by E</a></iframe>
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Précédemment, pour continuer avec l'immense <b>Thalia Zedek</b>, j'avais fait le report live de sa co-tournée avec <b>Damon & Naomi</b>, ici : <a href="http://exitmusik.fr/damon-naomi-thalia-zedek-rach-three/">http://exitmusik.fr/damon-naomi-thalia-zedek-rach-three/</a></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-17578951266565792082018-04-06T16:12:00.001+02:002018-04-06T16:15:46.641+02:00CLAP! MAG // Noah Hawley<div class="separator" style="clear: both; text-align: center;">
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<ul style="background-color: white; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px; list-style-image: initial; list-style-position: initial; margin: 0.5em 0px; padding: 0px 2.5em;">
<li style="border: none; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 14.85px; line-height: 20.79px; margin: 0px 0px 0.25em; padding: 0px; text-align: justify;">La saison 2 de <b style="font-style: italic;">Legion </b>vient tout juste de commencer sur FX. Son auteur/showrunner, Noah Hawley est l'une des plumes les plus intéressantes du moment, <span style="font-size: 14.85px; line-height: 20.79px;">retrouvez mon papier sur son parcours et une partie de son oeuvre (<i>Le Bon Père</i>, <i>Fargo</i>, <i>Legion</i>) sur </span><b style="font-size: 14.85px; line-height: 20.79px;">Clap! Mag</b><span style="font-size: 14.85px; line-height: 20.79px;"> ici : <b><a href="http://www.clapmag.com/noah-hawley-legion/44629">http://www.clapmag.com/noah-hawley-legion/44629</a></b></span></li>
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<i>Planches dessinées par Bill Sienkiewicz</i></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-66285265329636716832018-03-15T12:11:00.000+01:002018-03-15T12:16:41.667+01:00CLAP! MAG // Critique de "Lady Bird"<div class="separator" style="clear: both; text-align: center;">
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<li style="border: none; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 14.85px; line-height: 20.79px; margin: 0px 0px 0.25em; padding: 0px; text-align: justify;"><b><i>Lady Bird</i></b>, première réalisation en solo pour Greta Gerwig (<i>Greenberg</i>, <i>Frances Ha</i>), est sorti en salles depuis le 28 février. <span style="font-size: 14.85px; line-height: 20.79px;">Retrouvez ma critique de ce film qui réussit un beau portrait mère-fille, mais qui n'est pas exempt de défauts pour autant, c'est sur </span><b style="font-size: 14.85px; line-height: 20.79px;">Clap! Mag</b><span style="font-size: 14.85px; line-height: 20.79px;"> ici : </span><b style="font-size: 14.85px; line-height: 20.79px;"><a href="http://www.clapmag.com/lady-bird/44459">http://www.clapmag.com/lady-bird/44459</a></b></li>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-53799097148474414972018-02-26T15:18:00.005+01:002018-02-26T15:18:37.756+01:00CLAP! MAG // Rencontre avec Larry Clark - Journées Cinématographiques Dionysiennes<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px;"><b>- Larry Clark -</b></span><br />
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<span style="background-color: white; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px;">Il est celui qui m'a fasciné dans mes jeunes années de cinéphile, notamment à cause des "baffes" </span><i style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px;">Kids</i><span style="background-color: white; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px;"> et </span><i style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px;">Ken Park</i><span style="background-color: white; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px;">. Avec mon binôme d'interview, Julien Beaunay, nous avons pu le rencontrer pendant une petite quinzaine de minutes, à l'occasion des </span><b style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px;">Journées Cinématographiques Dionysiennes</b><span style="background-color: white; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px;"> et lui poser des questions autour de la photographie, de son rapport à l'écriture et de ses projets actuels, pour <b>Clap! Mag</b> :</span></div>
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<span style="color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"><span style="font-size: 14.85px; line-height: 20.79px;"><a href="http://www.clapmag.com/rencontre-larry-clark-the-smell-of-the-usa/44246">http://www.clapmag.com/rencontre-larry-clark-the-smell-of-the-usa/44246</a></span></span><span style="background-color: white; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px;"> </span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-48313491799928468012017-12-18T16:11:00.002+01:002017-12-18T16:14:58.048+01:00FORMAT COURT // Etrange Festival 2017 - dix courts en colère<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9PszImB3IIwp3sGATVxwqCd6G6l8eceN2aWfTjJ55CW8M9oa6RVV4fYXC-1YaHhH7flUcABS0yXdWn1_lFeJSXFcQC7cbsbpQwzLbveapLaTy57gzMkGyWKCvmTfnPFJTxJaZNlzOh4A/s1600/Killing+Klaus+Kinski+002.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9PszImB3IIwp3sGATVxwqCd6G6l8eceN2aWfTjJ55CW8M9oa6RVV4fYXC-1YaHhH7flUcABS0yXdWn1_lFeJSXFcQC7cbsbpQwzLbveapLaTy57gzMkGyWKCvmTfnPFJTxJaZNlzOh4A/s400/Killing+Klaus+Kinski+002.jpg" width="400" /></a></div>
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<i style="background-color: white; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px;"><span style="font-size: xx-small;">Killing Klaus Kinski de Spiros Stathoulopoulos</span></i></div>
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<span style="font-family: inherit;">Comme chaque année depuis 2011, les Julien(s) ont parcouru les allées sombres et mystérieuses de <a href="http://www.etrangefestival.com/2017">L'Etrange Festival</a>, </span><span style="font-size: 14.85px; line-height: 20.79px;">pour le compte de </span><b style="font-size: 14.85px; line-height: 20.79px;">Format Court</b><span style="font-size: 14.85px; line-height: 20.79px;">, et en ont ramené un <b>florilège de courts métrages</b> à se mettre sous la dent ! </span><span style="font-family: inherit; font-size: 14.85px; line-height: 20.79px;">: </span></div>
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<span style="color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif;"><span style="font-size: 14.85px; line-height: 20.79px;"><a href="http://www.formatcourt.com/2017/12/letrange-festival-2017-dix-courts-en-colere/">http://www.formatcourt.com/2017/12/letrange-festival-2017-dix-courts-en-colere/</a></span></span></div>
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<span style="background-color: white; color: #333333; font-family: "arial" , "tahoma" , "helvetica" , "freesans" , sans-serif; font-size: 14.85px; line-height: 20.79px; text-align: justify;">Quelques morceaux choisis :</span><br />
<iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="https://player.vimeo.com/video/186663376?byline=0&portrait=0" webkitallowfullscreen="" width="640"></iframe><br />
<a href="https://vimeo.com/186663376">I Want Pluto To Be A Planet Again - Trailer</a> from <a href="https://vimeo.com/vladimirmk">Vladimir MK</a> on <a href="https://vimeo.com/">Vimeo</a>.<br />
Film sélectionné au Festival BD6Né 2017<br />
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<iframe allowfullscreen="" frameborder="0" height="360" mozallowfullscreen="" src="https://player.vimeo.com/video/202107162?color=ffe05e" webkitallowfullscreen="" width="640"></iframe><br />
<a href="https://vimeo.com/202107162">Garden Party - Trailer</a> from <a href="https://vimeo.com/illogiccreative">Illogic</a> on <a href="https://vimeo.com/">Vimeo</a>.<br />
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<iframe allow="encrypted-media" allowfullscreen="" frameborder="0" gesture="media" height="315" src="https://www.youtube.com/embed/S6hf7tm6Qpg" width="560"></iframe><br />
© co-production Broken<br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-59534782812846558352017-12-15T12:17:00.002+01:002017-12-15T12:17:12.778+01:00CLAP! MAG // Critique de "Lucky"<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ98numqfez2JPW0xxUZwZPCuIRCaJiinBn_3Mm8cSj62irTkW1SciPSTubO5-z07_lVmbsY-TrA3Qnfh2eJizx2CgXqzJt0UoHUgz3knw575P2TRCiNeLg7fBoakiGGQIsx0AzLtObCo/s1600/Lucky-affiche.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1132" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZ98numqfez2JPW0xxUZwZPCuIRCaJiinBn_3Mm8cSj62irTkW1SciPSTubO5-z07_lVmbsY-TrA3Qnfh2eJizx2CgXqzJt0UoHUgz3knw575P2TRCiNeLg7fBoakiGGQIsx0AzLtObCo/s640/Lucky-affiche.jpg" width="449" /></a></div>
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<ul style="background-color: white; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 14.85px; line-height: 20.79px; margin: 0.5em 0px; padding: 0px 2.5em;">
<li style="border: none; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 14.85px; line-height: 20.79px; margin: 0px 0px 0.25em; padding: 0px; text-align: justify;"><b><i>Lucky</i></b>, premier film de John Carroll Lynch derrière la caméra, conçu comme une révérence délicate à l'immense Harry Dean Stanton, est sorti en salles depuis le 13 décembre. Retrouvez ma critique de ce film sensible et poétique sur <b>Clap! Mag</b> : <b><a href="http://www.clapmag.com/lucky-critique/43758">http://www.clapmag.com/lucky-critique/43758</a></b></li>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-174760861254581992017-11-10T12:41:00.000+01:002017-11-10T12:44:40.222+01:00CLAP! MAG // Rencontre avec Álex de la Iglesia - Etrange Festival 2017<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhP6TYfA460_hjI3L9nGtFFvjUGaxbj_IW0UG8EVViv7VeSuEhRuOJXkYxDFWNjVRiSAZq12krAgygVpxIRaBY-6_RpxFUgeMhLDfkhb-q55x2vvpZucEsH9HWEZGMujDZjs1-0UzLRe3s/s1600/perdita_durango1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="304" data-original-width="720" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhP6TYfA460_hjI3L9nGtFFvjUGaxbj_IW0UG8EVViv7VeSuEhRuOJXkYxDFWNjVRiSAZq12krAgygVpxIRaBY-6_RpxFUgeMhLDfkhb-q55x2vvpZucEsH9HWEZGMujDZjs1-0UzLRe3s/s640/perdita_durango1.jpg" width="640" /></a></div>
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A l'occasion de l'édition 2017 de L'Etrange Festival, nous avons pu rencontrer <b>Álex de la Iglesia</b> et évoquer son nouveau film, <i>El Bar,</i> ainsi que le reste de sa carrière, pour <b>Clap! Mag</b> :<br />
<a href="http://www.clapmag.com/rencontre-alex-de-iglesia-cher-voisin/43179"><b>http://www.clapmag.com/rencontre-alex-de-iglesia-cher-voisin/43179</b></a><br />
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-8553717835412172344.post-15028603486436842732017-11-03T16:31:00.005+01:002017-11-03T16:31:57.290+01:00FORMAT COURT // Etrange Festival 2017 - étranges discussions autour du court<div style="background-color: white; color: #333333; line-height: 20.79px; text-align: justify;">
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<span style="font-family: inherit;">Pour la septième année consécutive</span><span style="font-family: inherit; line-height: 20.79px;">, avec mon binôme Julien Beaunay, nous avons suivi </span><a href="http://www.etrangefestival.com/" style="font-family: inherit; line-height: 20.79px;">L'Etrange Festival</a><span style="font-family: inherit; line-height: 20.79px;">, pour le compte de</span><span style="font-family: inherit; line-height: 20.79px;"> </span><b style="font-family: inherit; line-height: 20.79px;">Format Court</b><span style="font-family: inherit; line-height: 20.79px;">. <br />A l'occasion de l'édition 2017, nous avons eu la chance de rencontrer et discuter forme courte avec plusieurs cinéastes de grand talent, </span><b style="font-family: inherit; line-height: 20.79px;">Álex de la Iglesia</b><span style="font-family: inherit; line-height: 20.79px;">, </span><b style="font-family: inherit; line-height: 20.79px;">Jaume Balagueró</b><span style="font-family: inherit; line-height: 20.79px;">, </span><b style="font-family: inherit; line-height: 20.79px;">Marc Caro</b><span style="font-family: inherit; line-height: 20.79px;"> et </span><b style="font-family: inherit; line-height: 20.79px;">Jean-Pierre Jeunet</b><span style="font-family: inherit; line-height: 20.79px;"> : </span><a href="http://www.formatcourt.com/2017/10/etranges-discussions-autour-du-court/" style="line-height: 20.79px;">http://www.formatcourt.com/2017/10/etranges-discussions-autour-du-court/</a><br />
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